Jun 30 2008
My review of Wall-E
Wow, what a great movie! I’ll try to keep spoilers to a minimum.
The first section of the movie had almost no dialogue. I’d read a review that said that children would be bored with the slow pace at the beginning, but all I can say is: That critic has forgotten that children are mesmerized by such “boring” things as a waterbug skating in a puddle, cat’s tails curling, and sunbeams reflected from the face of Dad’s watch. Wall-E’s everyday life was fascinating.
I was stunned by the beautiful expression of the relationship between the robots Wall-E and EVE. He wanted to share all his treasures with her. Even when she went into a dormant state, he continued caring for and sharing his life with her. He bashfully fixated on the eternal question that burns in a lover’s heart: Will she consent to hold my hand? (It was a more diverting subplot than the typical “When can I kiss her?” or “How do I get her into bed?”)
His devotion spurs him to follow her into space when she is retrieved by her makers. Upon reaching the spaceship where humans live, Wall-E continues his pursuit of Eve, but this relationship makes him see and interact with others. His interactions with humans, in particular, shake them from their complacency.
Complacency and consumerism are, of course, part of the “message” of the movie. After leaving the junk-covered and uninhabitable Earth, humans have taken to a spa-like setting in Space. Their bodies have atrophied and their attention is completely focused on trivialities. For me, the point was hammered home by two images. First, the video histories consisted of real people and photos of real objects – a jarring contrast with the unreal animated humans. Second, ads displayed for the ship’s populace featured svelte models standing upright, but the inhabitants were unaware that they looked nothing like those people.
The breakthrough was when the Captain looked at the portaits of his predecessors and truly SAW the degradation of humanity that led to… him. That’s a sad moment, but one of the joys of the movie occurs when the humans step outside their comfort zones. The Captain forsakes bedtime to learn history. Mary and John go from obliviousness, to interacting with each other, and at last to looking out for others.
Warning: unavoidable spoilage ahead.
1) Having the villain be a robot was BRILLIANT. I fully expected a run-of-the-mill corporate executive to be secretly pulling the strings. Instead, the ship’s steering wheel is literally staying on course, despite the Captain’s reasonable assertions that returning to Earth is the TRUE Directive.
The relationship between the Captain and his “reliable” assistant forms a perfect contrast with Wall-E and Eve’s relationship. Eve sets aside her prime directive in order to help Wall-E when he’s damaged. However, he insists on helping her fulfill her mission rather than being fixed. It’s not exactly ”The Gift of the Magi” in Space, but hits the main challenge of a relationship: knowing when to sacrifice one’s own Directive needs for the other’s.
2) Disney movies often end with a pseudo-resurrection, in which one character is assumed dead but miraculously survives. For example, there are Snow White, Aladin, Beauty and the Beast, the excruciatingly-mutilated rendition of The Black Cauldron, etcetera ad nauseum. Even Pixar’s Finding Nemo had two such scenes.
However, this time there was a heart-wrenching twist: EVE literally restores and refurbishes Wall-E, only to have him reboot as a quirk-less automaton. I admit to getting a lump in my throat at the scene. It captured the essence of those losses that hurt as much as death: losing a loved one to a change of feeling or to deteriorating mental faculties.
3) Finally, I’d read critiques that called the ending “bleak” or “dark”. Like every Pixar movie, you have to pay attention to the images as the credits roll. After all the videos and hi-tech imagery of the spaceship, the end of the story is told in heiroglyphs and mosaics: The ”defective” robots helping the humans rediscover life on Earth, children planting seeds that eventually overgrown the abandoned ship, a boy fishing from a clean lake, etc. It’s a happy ending.
Here’s a link to an interview with writer-director Andrew Stanton, including how his faith affected his story, including insights on the characters:
http://www.christianitytoday.com/movies/interviews/andrewsta nton.html